When you link up with fresh inc, not only will you work side-by-side with Fifth House Ensemble members, you’ll also get to work with some of the best professional and artistic collaborators around. If you think that “a graphic artist, a marketing executive, and a mime” is just the start of one of those “walked into a bar” jokes, think again. This diverse array of creative minds will help you redefine the way that you think of yourself as an artist.
JAMES BUCKHOUSE, MARKETING
Born on horseback, active in the art world, wrote a book on fashion, used to make movies for DreamWorks, found my home running Corporate Marketing at Twitter.
In the past decade Cliff Colnot has emerged as a distinguished conductor and a musician of uncommon range.
One of few musicians to have studied orchestral repertory with Daniel Barenboim, Colnot has served as assistant conductor for Barenboim’s West-Eastern Divan Workshops for young musicians from Israel, Egypt, Syria, and other Middle Eastern countries. Colnot has also worked extensively with Pierre Boulez and has served as assistant conductor to Boulez at the Lucerne Festival Academy. He regularly conducts the International Contemporary Ensemble (ICE), with whom he recently recorded Richard Wernick’s The Name of the Game for Bridge Records, and he collaborates regularly with the internationally acclaimed contemporary music ensemble eighth blackbird. Colnot has served as principal conductor of the Chicago Symphony Orchestra’s contemporary MusicNOW series since its inception and as principal conductor of the Civic Orchestra of Chicago since 1994. Colnot also conducts Contempo at the University of Chicago, the DePaul University Symphony Orchestra and Wind Ensemble, and orchestras at Indiana University. He has appeared as a guest conductor with the San Antonio Symphony Orchestra, the American Composers Orchestra, the Saint Paul Chamber Orchestra, and the Utah Symphony.
Colnot is also a master arranger. His orchestration of Shulamit Ran’s Three Fantasy Pieces for Cello and Piano was recorded by the English Chamber Orchestra. For the chamber orchestra of the Jerusalem International Chamber Music Festival, Colnot has arranged the Adagio from Mahler’s Symphony No. 10, Schoenberg’s Pelleas and Melisande (both published by Universal) and Manuel De Falla’s Three Cornered Hat. For ICE and Julia Bentley, Colnot arranged Olivier Messiaen’s Chants de Terre et de Ciel for chamber orchestra and mezzo-soprano, also published by Universal. For members of the Yellow Barn Music Festival, Colnot arranged Shulamit Ran’s Soliloquy for Violin, Cello, and Piano, to be published by Theodore Presser. Colnot recently re-orchestrated the Bottesini Concerto No. 2 in B Minor for Double Bass, correcting many errors in existing editions and providing a more viable performance version. He has also been commissioned to write works for the Chicago Symphony Orchestra Percussion Scholarship Group. His orchestration of Duke Ellington’s New World Coming was premiered by the Chicago Symphony Orchestra with Daniel Barenboim as piano soloist in 2000, and Colnot also arranged, conducted, and co-produced the CD Tribute to Ellington featuring Barenboim at the piano. He wrote music for the MGM/UA motion picture Hoodlum and has written for rock-and-roll, pop, and jazz artists such as Richard Marx, Phil Ramone, Hugh Jackman, Leann Rimes, SheDaisy, Patricia Barber, Emerson Drive, and Brian Culbertson.
Colnot graduated with honors from Florida State University and in 1995 received the Ernst von Dohnányi Certificate of Excellence. He has also received the prestigious Alumni Merit Award from Northwestern University, where he earned his doctorate. In 2001 the Chicago Tribune named Cliff Colnot a “Chicagoan of the Year” in music, and in 2005 he received the William Hall Sherwood Award for Outstanding Contributions to the Arts. He has studied with master jazz teacher David Bloom and has taught jazz arranging at DePaul University. He also teaches advanced orchestration at the University of Chicago and film scoring at Columbia College. As a bassoonist, he was a member of the Lyric Opera Orchestra of Chicago, Music of the Baroque, and the Contemporary Chamber Players.
EZRA CLAYTAN DANIELS, WRITER/ILLUSTRATOR
Ezra Claytan Daniels is a writer and illustrator based in Chicago, IL. His critically acclaimed graphic novel series, The Changers, began a unique comics career peppered with a number of collaborative multimedia projects including, with interactive artist Erik Loyer, the groundbreaking experimental iPhone App, Ruben & Lullaby. Ezra is also the creator of the popular live art spectacle, The Comic Art Battle, and Loaded Blanks Greetings, a line of fill-in-the-blanks comic-art greeting cards featuring both established as well as up and coming comics artists. Ezra is currently working on the narrative art meets live chamber music concert series, Black Violet, with Chicago-based chamber group, Fifth House Ensemble.
OMAR ROBLES, MIME, PHYSICAL ACTOR, AND DIRECTOR
Omar is a graduate of L’École Internationale de Mimodrame de Paris Marcel Marceau, where he learned the trade under the mentorship of Marcel Marceau. Omar has performed in theatres across France, Spain, Israel, Poland, Russia, Puerto Rico and the United States. His work is notable for the lyricism and emphasis of movements and gestures that express the emotional intensity of his characters. Today he is known as one of the most outstanding exponents of contemporary mime emerging from Puerto Rico.
AUGUSTA READ THOMAS, COMPOSER
Augusta Read Thomas (born in 1964 in Glen Cove, New York) was the Mead Composer-in-Residence with the Chicago Symphony Orchestra from 1997 through 2006. In 2007, her ASTRAL CANTICLE was one of the two finalists for the Pulitzer Prize in Music. Thomas has also been on the Board of Directors of the American Music Center (www.amc.net) since 2000, as well as on the boards and advisory boards of several chamber music groups. She was elected Chair of the Board of the American Music Center, a volunteer position that ran from 2005 to 2008.
Augusta is a passionate and devoted teacher who is in tune with her students. Teaching is a natural extension of her creative process and of her avid enthusiasm for the music of others. She is a devoted listener to the music of others and as such has a broad and deep knowledge of the music of our time. For Augusta, working with students is a joy, a deeply felt commitment, and an integrated part of her creative existence.
Augusta was an assistant, then associate professor of composition at the Eastman School of Music from 1993-2001, and served from 2001 until 2006 as the Wyatt Professor of Music (Endowed Chair) at Northwestern University. She currently continues her involvement with Northwestern University by serving on the Dean’s Music Advisory Board. In the summers she often teaches at the Tanglewood Music Center. Augusta was the Director of the Festival of Contemporary Music at Tanglewood in 2009. Frequently Ms. Thomas undertakes residencies in colleges, universities, and festivals across the country and in Europe. From time to time she teaches private composition lessons for advanced students. For 2009-2011 she is teaching and mentoring 10 high school-aged composers in the state of Connecticut. Each composer will have his or her new piece premiered by the New Haven Symphony in May 2011.