Guest Expert Bios
Jason Charney is a composer and artist based in Baltimore, MD. His notated music for instruments and voices often includes electronics, and he is an active electroacoustic performer and improviser. As an artist, he works with sound, light, objects, and code to create works that explore technological (mis)translations, physical phenomena, and embodied gesture. He is a founding member and serves as Technical Director of Mind on Fire, a contemporary music ensemble in Baltimore. Jason was a composer participant in the very first fresh inc festival in 2012!
Kevin Clark is a composer, grantmaker, product manager, and consultant focused on the systems that support artists. As director of platform at New Music USA he led the creation of project grants and the New Music USA platform, and has since consulted with a range of grantmakers and technology organizations. Most recently, Kevin designed the new process for the MAP Fund.
Daniel Dorff’s music for flute and piccolo has entered the standard repertoire and is frequently performed and recorded worldwide. He has composed 7 commissioned works for the Philadelphia Orchestra’s education department, and the Minnesota Orchestra’s Kinder Konzert series has performed his music over 200 times.
Dorff’s teachers included George Crumb, George Rochberg, Karel Husa, Henry Brant, Ralph Shapey, and Elie Siegmeister. He studied saxophone with Sigurd Rascher. Dorff served 1996 2015 as Composer-In-Residence for Symphony in C, in which he played bass clarinet from 1980 through 2002.
Daniel Dorff is VP of Publishing for Theodore Presser Company; a sought-after expert on music engraving and notation, he has lectured at many colleges as well as Carnegie Hall, and advises the leading notation software companies. He serves on the Boards of Directors for the Music Publishers’ Association of the USA, Charles Ives Society, Vincent Persichetti Society, Flute Society of Greater Philadelphia, and has served on the Board of the National Flute Association.
Dorff’s compositions are published by Presser, and recorded on Albany, Bridge, Crystal, Azica, and many other labels.
Monisola Gbadebo (b.1986) is a Chicago based artist and activist who works across the genres of experimental electronic music, noise, spoken word, and pop. Working extensively with live electronics, text and spatialized rhythm, her music is influenced by west african idioms and aesthetics–hence the prevalence of narrative and rhythm and a tendency towards a destabilized sense of temporality. She began her work as a composer of electroacoustic music at the Oberlin Conservatory of Music and went on to Mills College, studying with Pauline Oliveros and earning her MFA in 2012. Her activism and professional work is informed by her commitment to fostering equitable access to classical music. Recent appearances include performances and sonic installations at Slate Arts and Performance (Chicago), Brown University, and WEFT (Illinois public Radio).
With a background in music, Tad Gray brings a diverse skill set to the practice of wealth management at Buckingham Strategic Wealth. He received a music degree from the University of Colorado and enjoyed further musical studies at Aspen, Banff, and Yale. After earning an MBA from the Wharton School, he served in leadership and business development roles in corporate banking, derivatives, and capital markets with Bank of America and Wells Fargo.
Tad transitioned to personal wealth management to more directly impact people’s lives. He enjoys seeing people experience “aha” moments when they become empowered to make changes that will truly impact their family’s future in a positive way. Tad is passionate about helping others create the future they want and fulfilling their most important promises. He holds the Certified Investment Management Analyst® designation. A CERTIFIED FINANCIAL PLANNER™ professional, Tad has held leadership positions with the Financial Planning Association of Illinois, including as president of the North Shore Council.
Tad is also a certified leadership coach and serves people by co-creating behaviors and habits to achieve a greater impact in their relationships, families, organizations, and communities. In particular, he helps arts leaders and musicians grow professionally and fully realize their artistic visions through workshops and seminars on leadership and personal financial management.
Originally from Merrillville, IN, Eric Heidbreder holds a Bachelor of Music Degree from Ball State University and a Masters in Music Degree from DePaul University. Eric has previously held positions in the Civic Orchestra of Chicago, Muncie Symphony Orchestra, and the Laporte County Symphony Orchestra. Eric has performed as a substitute musician with the Chicago Symphony Orchestra and MusicNOW. Outside of performing, Eric is a casual arranger of 1990s power ballads and a skateboarding enthusiast. Over past summers, Eric has attended the Aspen Music Festival and the Pacific Music Festival. Eric’s primary teachers are Steve Ingle, Keith Sweger, William Buchman, and Robert Barris.
Ryan Ingebritsen is a composer, sound designer, and live electronic performer whose has created music, installations, and sound designs for theatre and dance for over two decades. He studied composition at St. Olaf College and the University of Cincinnati with Richardo Zohn-Muldoon and Mara Helmuth, and spent a year on a Fulbright scholarship at the Akademia Muzyczna in Krakow, Poland studying electronic and interactive music with Marek Choloniewski and composition with Zbigniew Bujarski and Krzysztof Penderecki.
His work uses spatialized sound systems as musical instruments, building virtual instruments that capture human kinetic movement and performance expression projected as sound in space and time. Just a few of these include the 14.2 channel “sound room” at and his 3D quadrophonic design for 3 Singers, an interactive “technopera”. He has received awards and grants from New Music USA, CEC Artslink (NEA) The Illinois Arts Council, Illinois Humanities Festival, American Composers Forum, and the Mc Knight Foundation and has presented at the NATEAC and AES conferences as well as the TEI conference in Sydney Australia.
He currently teaches music technology at the University of Illinois at Chicago and is pursuing a PhD in Informatics at the University of Illinois at Urbana-Champaign.
Matthew Koschak is an acoustical engineer with an extensive background in telecom and professional audio applications. He has over 18 years of product development experience working on multi-disciplinary teams to design and test acoustical systems including microphones, loudspeakers, earphones and mobile devices.
Utilizing industry standard software such as MatLab, NX Modeling, SoundCheck, Klippel Measurement System, EASE, Pro-Tools, Logic, and Maxwell, he has helped realize dozens of products from concept to production. His project work experience includes everything from transducer design, to specifying and qualifying OEM solutions for acoustic systems, to recording and editing audio.project is the animated feature “Vincent the Artist” for which he is currently writing the songs for the film.
Composer Hummie Mann has collaborated with some of Hollwood’s most celebrated directors. His feature film scores have ranged from Mel Brooks’ “Robin Hood: Men in Tights” and “Dracula: Dead & Loving It” to Peter Yates’ “Year of the Comet.” He also scored the children’s film “Thomas and the Magic Railroad”, “Wooly Boys” starring Peter Fonda and Kris Kristofferson and the IMAX digital animated film “Cyberworld 3D”.
For television, he has scored projects for Simon Wincer (the miniseries “P.T. Barnum”), Jonathan Kaplan (the miniseries re-make of “In Cold Blood”), Norman Jewison (“Picture Windows – Soir Bleu”), Peter Bogdanovich (“The Rescuers: Tales of Courage – Two Women”), Joe Dante (“Masters of Horror: Homecoming” & “The Second Civil War”), Jim Abrahams (“First Do No Harm”) and Richard Friedenberg (“Suzanne’s Diary for Nicholas”).
He was awarded his first Emmy for arranging Billy Crystal’s opening number for the 1992 Oscars and a second Emmy for his original score to an episode of Showtime’s Picture Windows series entitled “Language of the Heart.” He has also been honored with a Distinguished Alumnus Award from his under graduate alma mater Berklee College of Music.
He is the creator and lead instructor of the Pacific Northwest Film Scoring Program (currently the music department of the Seattle Film Institute) and has taught film composition courses in Scotland, Denmark and China. In 2010 he ran a film composition workshop at the Dakhla Film Festival in Morocco and Variety Magazine listed him as a “Leader in Learning” in its 2010 Education Impact Report. Last year he received his Doctor of Musical Arts degree from the University of Salford in Manchester, UK. His thesis title was “The Temporal and Rhythmic Effect on Musical Composition and Form When Scoring Dramatic Moving Picture”.
His latest composing project is the animated feature “Vincent the Artist” for which he is currently writing the songs for the film.
Daniel McKemie (né Steffey) is an electronic musician, percussionist, and composer based in New York City. Currently, he is focusing on technology that seeks to utilize the internet and browser technology to realize a more accessible platform for multimedia art. He is also researching and developing new ways to interface modular synthesizers to software and vice versa. This recent work has allowed for complex, interactive performance environments to emerge, in which the software generates compositional processes and actions in the form of control voltage generation sent to the synthesizer, and conversely can analyze control voltage signals from the synthesizer to determine future activity.
His music focuses on the boundaries of musical systems, both electronic and acoustic, that are on the verge of collapse. The power in the brittleness of these boundaries, often dictates more than the composer or performers can control, which is very welcomed. In addition to electronic music, Daniel is an active percussionist, having premiered dozens of new works for the repertoire, including many with The William Winant Percussion Group. Active as an instrumental composer, he has written for solo, chamber, mixed media, and radio broadcast formats, and also served as an assistant transcriber and orchestrator for Roscoe Mitchell on pieces from his Conversations collection.
Daniel has provided music for and worked with a number of different artists and companies in various capacities including: Roscoe Mitchell, New York Deaf Theatre, Pauline Oliveros, Funsch Dance Experience, Ryan Ross Smith, The William Winant Percussion Group Iceland Symphony Orchestra, The Montreal-Toronto Art Orchestra, Nick Wang, Christian Wolff, Bob Ostertag, and Steve Schick, among others.
Michael Rohd is founding artistic director of 17 year-old ensemble-based Sojourn Theatre. He recently accepted a Professorship at Arizona State University’s Herberger Insititute for Design & Art, where he, Liz Lerman and Daniel Bernard Romain are launching a think tank/action space called the The Ensemble Lab. He is author of the widely translated book Theatre for Community, Conflict, and Dialogue.
He leads the Center for Performance and Civic Practice, where current projects include The Catalyst Initiative, a national program supported by The Andrew Mellon Foundation, and Local Landscapes, through which he is currently collaborating with Arts Councils at the State and Local level around the US.
In 2015, he received an Otto Rene Castillo award for Political Theater and The Robert Gard Foundation Award for Excellence. He was the 2013-2016 Doris Duke Artist-in-Residence at Lookingglass Theater Company in Chicago. Recent/Current projects include leading a two year Sojourn Artist-in-Residence collaboration with Catholic Charities USA poverty reduction sites around the US; a Sojourn partnership with Planning Commissions around the country utilizing civic practice in public engagement settings to help communities deal with difficult conversations and resource allotment; and, collaborating with theaters and universities around the country to mount locally specific projects based on Sojourn’s model performance/engagement process/production How To End Poverty in 90 Minutes.
Donovan Seidle is a versatile musician, working steadily as composer, arranger, orchestrator, violinist, teacher and coach.
He holds a BMus in Performance and Composition from the University of Calgary (studio of Edmond Agopian, violin; and William Jordan, composition) and a MMus in Performance from Northwestern University (Roland and Almita Vamos, violin).
Since 2003, he has served as one of the three concertmasters of the Calgary Philharmonic Orchestra, which has included soloing and new works commissions. He is an active participant in the municipal artistic community, participating regularly in chamber ensembles and multi-disciplinary projects outside of the orchestra, including having been the Artistic Director of Calgary’s own Kensington Sinfonia for 13 years. He travels to contribute with the I Musici Chamber Orchestra of Montreal, and Vancouver Symphony Orchestra. Past projects have included the inaugural YouTube Symphony Orchestra project at Carnegie Hall, the Opening and Closing Ceremonies of the Vancouver 2010 Olympic Winter Games, and the Aspen Contemporary Ensemble, amongst numerous recording sessions, summer festivals and guest-solo spots locally and internationally.
Donovan continues to be a commissioned composer/arranger writing for various media. He has successfully delivered original commissions to several orchestras, produced soundtracks for television and film, live theatre, orchestra shows, and the concert stage; and spent his 09/10 sabbatical from the Philharmonic as Associate Music Director for the Emmy Award-winning ceremonies of the Vancouver 2010 Olympic Winter Games.
Donovan encourages his students to set, check and evaluate goals regularly in order to succeed in hitting targets, emphasizing structure and processes. He is enthusiastic about incorporating new technology into the practice room including regular recording (video and audio); audio analysis (pitch recognition and tempo manipulation for analysis); motion capture and VR, and more.
Paul Wang is an associate professor in the Integrated Marketing Communications (IMC) program at Northwestern University. Paul specializes in marketing strategy and other customer relationship issues. His work addresses the issue of how marketers can take advantage of arts and crafts education to add value to their products and services. The primary focus is on how companies can create stronger relationships with their customers by providing them with benefits that are especially relevant to their specific needs and wants. He obtained a Ph.D. in communications studies and an M.S. in advertising from Northwestern University.